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By Joan Lewis, Lynette Chiles

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Extra resources for 501 Quilt Blocks A Treasury of Patterns for Patchwork and Applique

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Go down at D and then come up at E. Pull the stitch into place, making sure the needle lies over the thread. Anchor with a catch stitch at F. 40 Free-Form Embroidery with Judith Baker Montano A 2 A B 3 1  Come up at A and wrap the thread twice around the needle. 2–3  Holding the thread taut, go down at B (as close to A as possible, but not into it). Hold the knot in place until the needle is completely through the fabric. 30. French Knot: Couched This is a favorite of mine for underwater projects.

Continue with the next stitches, flaring out wider and wider to form a leaf. 36. Long and Short Stitch This is best known as a Bargello stitch, but I use it for seaweed and kelp. You can form flower petals and fan corals by alternating colors and thread weights. 39 1 B C A 2 3 4 1  Mark the shape as a guide for the stitches. Come 37 up at A and go down at B, making a straight stitch the desired length, and then come up at C. 2  Work the first row in alternating long and short satin stitches, keeping the outline of the shape even and defined.

I work with Pigma Micron pens for the pen-and-ink lines, along with Derwent Inktense watercolor pencils and Winsor & Newton watercolor paints. I often use the Sakura Koi water brushes, which hold water in the handle and make for less mess. Combining Stitches 63 Trees The first section of this chapter is designed to help you choose tree trunk shapes and types of trees. For example, the Douglas fir is a Rocky Mountain evergreen, and it has certain characteristics. The twisted, gnarly Monterey cypress grows along the Western coastline with its own set of characteristics—you really need to know specific growth patterns and locations to create a believable landscape.

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501 Quilt Blocks A Treasury of Patterns for Patchwork and Applique by Joan Lewis, Lynette Chiles


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