A Gothic Etymological Dictionary by Winfred P. Lehmann PDF

By Winfred P. Lehmann

ISBN-10: 9004081763

ISBN-13: 9789004081765

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389–90), the light cast by those who guard the gate to Eden. The stage direction is 21 22 23 The Poetical Works of Elizabeth Barrett Browning, p. xi. Edward Said, Reflections on Exile, p. 178. The Poetical Works of Elizabeth Barrett Browning, p. xiii. The bow shot of exile 27 taken directly from Byron’s mystery play when Cain describes ‘the walls of Eden, chequer’d/By the far-flashing of the cherubs’ swords’ (I. 1 273–4). As Lucifer predicts, it is the ‘thought of a shut gate of Paradise’ (l. 190) that constitutes the main burden on Eden’s newest exiles.

W. Schlegel, the Swiss writer Charles Victor de De Bonstetten (years earlier, the friend of Thomas Gray), the Swiss-Italian historical economist Sismondi, and, of course, Byron, who spent the summer of 1816 there before arriving in Venice in November. One of the defining features of exiled intellectual life was the treasuring of books and conversation. Nineteenth-century exiles sought each other’s company and libraries, and formed leagues of intimate intellectual altercation. They often expressed a profound dissatisfaction with the salon culture that had been established by seasonal English visitors and founded a new sort of conversational interchange through book sharing and discussion of new works in progress.

Dent, 1946), II, 458; CPW IV, 302. 68 BLJ IV, 50. 69 Ugo Foscolo, Ultime lettere di Jacopo Ortis. I Sepulchi (Firenze: Adriano Salani, 1914), pp. 89, 155. 70 Michael O’Neill, ‘Realms Without a Name: Shelley and Italy’s Intenser Day’, in Frederick Burwick and Paul Douglass (eds), Dante and Italy in British Romanticism (New York: Palgrave Macmillan, 2011), pp. 77–91 (p. 79). Introduction Figure 1. Byron’s fair copy of the Dedication to Don Juan By kind permission of John Murray. 19 20 The Artistry of Exile oppositions.

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A Gothic Etymological Dictionary by Winfred P. Lehmann


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