By Susan Shillinglaw
This half artwork booklet, half biography, and half commute advisor bargains perception into how landscapes and townscapes inspired John Steinbeck's artistic approach and the way, in flip, his legacy has stimulated sleek California. a number of different types of readers will get pleasure from the knowledge during this guide—literary pilgrims will research extra concerning the nation featured so prominently in Steinbeck's paintings, travelers can stopover at an identical constructions that he lived in and wrote approximately, and historians will get pleasure from the engrossing standpoint on lifestyle in early and mid 20th-century California. supplying a wholly new point of view on Steinbeck and the folks and areas that he delivered to existence in his writing, this variation contains a marvelous number of images, sketches, and work, together with a few from inner most, hardly noticeable collections. With a brand new preface from the writer, up-to-date information on featured web pages, a brand new dialogue on Steinbeck's ecological pursuits and actions, and an extended...
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Extra resources for A Journey into Steinbeck's California
Los Gatos friends eased tensions with lattes, fine wines, and inventive meals served up at Betsy and Whizzer White’s house of wonders. Distant friends and relatives cheered me on. My children—Ian and Nora—have lived with John Steinbeck all their lives and have forgiven my motherly lapses. From all of this, it should be clear that this was, indeed, a holistic venture. Beginning this book with the blithe notion that I could quickly write up years of slide presentations, nudged gently by publishers Deirdre Greene and Nigel Quinney throughout the year of writing the first edition and the months correcting the second, I am left with a profound sense of how research is a joint venture, calling on two decades of associations with Steinbeck scholars and readers.
California was, quite simply, home. In 1948, for example, he was living in New York City with his second wife and his world was falling apart. His health was bad, nerves shredded, stomach tight. He was taking antidepressants and felt himself in a “kingdom of despondency” after the death of Ed Ricketts. His second marriage was crumbling. He was being sued for breach of contract on a film of Cannery Row. What buoyed him during these grim months were thoughts of the book he had intended to write since 1932, the opus to his birthplace, East of Eden.
I planted it when it and I were very little; I’ve watched it grow. ” Years ago, in mental playfulness I used to think of it as my brother and then later, still playfully, I thought of it as something rather closer, a kind of repository of my destiny … if the tree should die, I am pretty sure I should be ill. This feeling I have planted in myself and quite deliberately I guess, but it is none the less strong for all that. Cannery Row today. For Steinbeck, “ALL” is also suggested in what he called a “child’s vision,” a sense he wanted to achieve in East of Eden, The Red Pony, Of Mice and Men, even the stately Sea of Cortez.
A Journey into Steinbeck's California by Susan Shillinglaw