By Ernest Rubinstein
Reading romanticism within the considered Jewish thinker, Franz Rosenzweig, this booklet compares his magnum opus, The megastar of Redemption, with Leo Baeck's essay, "Romantic Religion," and Friedrich Schelling's Philosophy of artwork, texts representing distinctive and, to a wide quantity, adverse interpretations of romanticism.
Rosenzweig's idea used to be formed by way of highbrow histories: Germany's and Judaism's. simply because romanticism had any such sure effect on glossy German writing and proposal, it turns into a question no matter if, and to what quantity, Rosenzweig, too, used to be a romantic. a part of the strength of the query derives from the tensions occasionally famous among Jewish and romantic worldviews. during this e-book, writer Ernest Rubinstein indicates The famous person of Redemption to be alongside the spectrum of principles that extends among Baeck and Schelling, and hence illustrates a professional romanticism.
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Additional info for An Episode of Jewish Romanticism: Franz Rosenzweig’s the Star of Redemption
Idealism is not uniformly rejected. The forms of its conceptual movements have a place in the protocosmos, where the three elements are reasoned into three separate isolations; but also in the philosophy of art that accompanies the passage from part one to three. 127 In addition, the Star contains political theory, history of philosophy, philosophy of language, comparative religious analysis (these sections are very tendentious) and literary criticism (mostly of biblical passages but also, indirectly, of Goethe).
Nearly a decade before the Phenomenology of Spirit, Schelling "hat ... den Begriff des 'Geistes,' der zugleich Subjekt und Objekt der Philo sophie ist, gefasst" (conceived the concept of the "spirit" that is simultaneously subject and object of philosophy), and which, by proceeding out of itself in becoming, is able to return to itself in being. But it was Hegel, not Schelling, who, by building a dialectic around this concept, ''jene Einheit des philosophischen Systems vollzogen hat" (perfected the unity of that philosophical system).
97 We do not wish to dispute over names. Schelling was certainly a systematic philosopher. But there is ample precedent in the secondary literature for distinguishing a particular type of systematizing as romantic philosophy, and for taking Schelling as one of its chief exemplars. 98 For Rosenzweig, the question is not over Schelling's ro- Introduction 19 manticism, but over the major directions of influence between him and the other Jena romantics. lOO Others quite openly concede that "romanticism was not only a literary, but also very consciously a philosophical movement.
An Episode of Jewish Romanticism: Franz Rosenzweig’s the Star of Redemption by Ernest Rubinstein